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Intermediate CVI Retreat


  • EarthSpirt Center nr Glastonbury TA11 6PE (map)

Students Sophia Efthimiou, Namvula Rennie and Emily Roblyn studying CVI with Briony at Coed Hills, Wales

 

CVI, Collaborative Vocal Improvisation, is a delicious approach to being a singer; co-creating music with others in the moment in ways that are diverse, thrilling, challenging, deep, and delightful.

Here is a video about Briony’s teaching:

 
 

Vocal Improvisation can be applied to performance, composition, healing, ritual, community singing, music education, recording and your ongoing creative life.

This is a 4-day residential retreat for singers with some experience of improvisation or some degree of singing confidence. You need to be able to sing in tune and keep a beat. If you’re very shy to be heard, a better option initially would be Vocal Transformation.

We’ll explore the CVI forms, bring out our voices, do the Resonant Body practice for vocal optimisation, learn to improvise with words, and play. We’ll support the emotional and psychological aspects of becoming comfortable with improvising (which can be scary initially) - all held in a trauma-informed space.

Kindness, support, community, and lots and lots of singing.

There’ll be optional yoga and dance most mornings before breakfast (bring kit), a hot tub, and three vegetarian partly organic meals provided daily.

Prices vary by accommodation type:

Camping £725

Standard twin £755

En-suite twin £795

Standard single £825

En suite single £855

2 assistant places are available at a £150 discount.

About Briony Greenhill

Briony is “one of the world’s leading proponents of collaborative vocal improvisation (CVI)” - Laura Barton, The Guardian. She has been teaching CVI internationally for a decade, and students call her a “master” whose work is “life changing”. 

Briony’s recent album was featured on Woman’s Hour, The Guardian, Radio 3 and Mojo, and all songs were sourced in improvisation. She has performed live with some of the world’s leading vocal improvisers.

She’s a founding member of The Well, the new Global Vocal Improvisation Guild; co-founder of the UK’s first Vocal Improvisation Festival, and maker of what is perhaps the world’s first Vocal Improvisation app, Your Song. She has released four entirely improvised albums, including what we believe are the world’s first entirely improvised 5 and 6 voice albums (Listen and Remembering).

Briony teaches vocal musicianship - Chops for Singers - from beginner to advanced levels. As a qualified SomaSource Leader, Briony is experienced in supportively holding the inner themes that can emerge through work with vocal improvisation: grief; personal and collective trauma, a wide range of emotions, a multitude of parts. She draws from somatic trauma healing, IFS, and Soul work to compassionately support students as they face what stands in the way of their access to their free, natural, unique, magnificent voice that is our birthright, and an open pipe to the songs of now. It can be transformational. (Having said that, in an intermediate-advanced intro weekend there is not a whole lot of space to go into these things - not as much as on a week-long, year long, or Vocal Transformation course.)

Vocal Improvisation can be applied to community singing, therapy and healing; ritual and ceremony; recording and performing; collaboration with other singers, instrumentalists and inter-disciplinary artists; composing and songwriting, arranging and producing, music education, and your ongoing creative life.


Students have said:

“Working with Briony has been such a gift for me. Her expertise in the field of voice work is inspirational and I have felt so supported by her generosity, strength and tenderness. As someone who also works with the voice, I have felt so ignited by her guidance and knowledge. I took part in her Vocal Improvisation Retreat and it gave me so much for my own creative path. I feel so blessed to have worked with Briony and consider her to be a fantastic leader in this field. I will continue to work with Briony as it nourishes my creative path as a musician and as a vocal facilitator.”

— Nessi Gomes, Artist, Teacher

“I’ve loved every minute of working with you and I think all instrumental students should do this. In fact I wish every person could experience this way of being. I have taught music at the conservatory level and at the early childhood level; at the John F. Kennedy Center for the Performing Arts, the Levine School of Music, The Wolf Trap Institute for Early Learning through the Arts, etc. I trained in Juilliard, New York in Dalcroze Eurhyrhmics, a Swiss body-based approach to teaching and developing musicianship, which is extremely powerful work. 

But what you bring specifically to the voice is something quite unique. To me it’s body-based, soul-based, healing-based, and community / collective-oriented. Your vocal work has a spiritual dimension that Dalcroze Eurhyrhmics only hints at. It’s very beautiful. I’m quite certain that the need and the desire for what you offer is immense.”

— Marcia Daft, Music Education Specialist

“I mostly wanted to express my deep gratitude for what you do and what you have opened in my life. CVI has literally changed my life. The structures, the skills, the tools I learned in circles with you have opened up my musical and my daily life. I have been able to finally experience and be part of nourishing, exciting musical collaborations! My song writing, my teaching, my performing is transformed by my willingness to stand in the void and let music move through me.” - Emily, choir leader and singer songwriter

“I feel so much more free vocally and like I’m accessing music from a new perspective. You’re a wonderful, nurturing teacher and have so much wisdom that ripples out far beyond the vocal realm.” - Pearl, vocal improvisation teacher

“Thank you for a revelatory and transformational weekend Briony! Much has moved in me. 🙏🏻” Mark

“And then after our course was done the peer group continued…and this has been such an incredible blessing in my life.  I can’t even say how much it has meant to me over the last year and a half.  Those beautiful people and voices are in my heart (and I hope my life) forever.” - Anon

“The benefits of the course are rippling out in my life in subtle and crystal clear ways. I feel more confident in all areas of my life.” - Lucy

“If everyone in the world did this, there would be no problems. I’m just so high from it! I don’t know of anything, any therapy, that makes me feel this way.” - Isabel

“It’s amazing what’s there. It’s amazing what’s there when I start listening instead of leading.” - Anon

“How rich to have witnessed all these people sharing their voices and words and movements, it really was spectacular. I'm so so glad I came, I trusted you and was right to trust you.” - Anon


“It truly is a temple, bringing up such deep stuff.” - Isabel 

“It’s all leadership and listening I reckon, and that’s what you teach. Finding our voice, facing out fears, following our hearts, listening deep within, expressing our love, it’s all what you do 🙂” Dave

“Thank you so much for such a brilliant course and for holding space so beautifully and so generously. It really has been an eye-opener for me in terms of how powerful the voice can be for healing.” - Bex

“I am the youngest of 4 and always held back. Until I finally realised it wasn't my shadow I was standing in and suddenly really enjoyed performing! Briony Greenhill helped so much.” - Jane

“I’m discovering a reservoir of power actually, which I suspected was there but I hadn’t actually felt or experienced coming through in the way that it is, both in my voice and in my day to day. It’s very much like something has been stirred and invigorated and given some channel to start moving in the world, and this is really really really exciting, and really beautiful. I’m just absolutely delighted by it.” - Tom Hirons, writer and storyteller

“Suppressing non-verbal emotional expression increases autonomic arousal, leading to a higher likelihood of being diagnosed with cancer, high blood pressure, ulcers and other major and minor health problems (Pennebaker and Chew, 1985)” - from Conor O’Brien’s Masters Dissertation about CVI in the context of Music Therapy.

“I just want to say thank you for bringing me to a place where I can work to uncover bits of myself that I’m longing for, and that’s what the work does. Last night was so utterly, utterly unique and sort of, sacred for me, because to build those connections and have that closeness to people who I hardly know, to be honest, is - it makes it worth being alive. Your own, amazing solo was an unexpected gift.” - Anonymous


”Briony, I thank you for all the roads you have taken in life that have brought you to where, and how and who you are.❤️ The breadth and depth of what you teach is so vast and yet the experience is so supremely intimate, such a sweet and desired juxtaposition.  My soul is showering you with gratitude for opening up this world to me!🙏🏼 “ - Elaine 

Please direct questions to info@brionygreenhill.com.

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9 March

An Intermediate-Advanced Intro to CVI

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11 May

A Beginner - Intermediate Intro to CVI